Emma Gibson

Emma Gibson

Emma is a British playwright, now living in Philadelphia. She has an MA in Creative and Critical Writing and was the founding producing artistic director of Tiny Dynamite for which she was a winner of the Knight Arts Challenge and received a Pew Center for Arts & Heritage award for her production of Perfect Blue.

Her plays have been selected, developed, read or performed at The Pittsburgh...
Emma is a British playwright, now living in Philadelphia. She has an MA in Creative and Critical Writing and was the founding producing artistic director of Tiny Dynamite for which she was a winner of the Knight Arts Challenge and received a Pew Center for Arts & Heritage award for her production of Perfect Blue.

Her plays have been selected, developed, read or performed at The Pittsburgh Public Theatre, PlayPenn Conference, People's Light & Theatre, Gloucester Stage, PCPA, Purple Rose Theatre, Philadelphia Women’s Theatre Festival, Spooky Action Theatre Company, Miranda Theatre Company NYC, Wordsmyth Theater, Vivid Stage, Panndora Productions, and Pomona College. She was the winner of The Pittsburgh Public Theater’s inaugural new play competition in 2021. Most recently she was a runner up for the Ambassador Theatre Group Playwriting Prize with Platform Presents and a finalist for the Women's Prize for Playwriting. She has been a finalist and a semi-finalist for The O'Neill New Play Conference, Seven devils Playwright conference, Headwaters at Creede Rep, Kitchen Dog’s New Works Festival, Henley Rose New Play Competition, Blue Ink Award with the American Blues Theater, The Princess Grace Award, Normal Ave Nap Series (2023), a semi-finalist for Premiere Stages at Keane, Ashland New Plays and The Bay Area Playwrights Festival She was in the top 100 for the Verity Bargate Award at The Soho Theatre, UK, and on the short list for The International Playwriting Award with Theatre 503, UK and The Papatango New Writing Award. Her Poetry has been published by Willowdown Books (Poems from the Lockdown) and Indolent Books (What Rough Beast). More at www.britishemma.com.

Plays

  • If nobody does remarkable things
    This afternoon, in the middle of a category 6 dust storm, a cargo ship took refuge in the local harbor. Joel is on board and he needs somewhere to stay. Paul thinks they should rescue him but Anna’s not so sure. Not after what Joel did 14 years ago. A fierce new play about climate change and forgiveness that explores what happens when we reach the point of no return.
  • LUMIN
    The pigs are stressed, Liv won’t eat, and Ma wants everyone to follow the Constitutions. Set in a modern-day commune on the outskirts of the Chihuahuan desert in Texas, this new play about our need for community, asks why the line between delusion and what the rest of us believe, is getting blurrier than ever.


  • When We Fall
    7.7 billion people on earth and everyone is lonely. Perhaps. Trina definitely is, even though tonight is her birthday and she’s going to party like it’s 1982. But when Andrew and Clare turn up as Superman and Little Bo Peep, the ache of loneliness fills the night. Even Dalir senses it from the roof top, somewhere between London and Pakistan, and now he has to do something about it.

    A new play...
    7.7 billion people on earth and everyone is lonely. Perhaps. Trina definitely is, even though tonight is her birthday and she’s going to party like it’s 1982. But when Andrew and Clare turn up as Superman and Little Bo Peep, the ache of loneliness fills the night. Even Dalir senses it from the roof top, somewhere between London and Pakistan, and now he has to do something about it.

    A new play about learning to fly, telling stories, and finding friendship in unexpected places.
  • Water In My Hands
    Sorrel is busy preparing for her wedding even though her fiancé has just died, and Maria’s eyebrows are still not growing back. Gerry wants to know if the weather will improve so that he can lie on his back in the grass, and Eric’s wife has someone else’s heart beating inside her.

    Through a series of interweaving accounts, Water in My Hands, lays bare the power of grief, and asks, ‘how do we move...
    Sorrel is busy preparing for her wedding even though her fiancé has just died, and Maria’s eyebrows are still not growing back. Gerry wants to know if the weather will improve so that he can lie on his back in the grass, and Eric’s wife has someone else’s heart beating inside her.

    Through a series of interweaving accounts, Water in My Hands, lays bare the power of grief, and asks, ‘how do we move on when we are haunted by the life that we have not yet lived?’
  • A dog is a creature of a nose
    Beth has a dog. A fantastic casserole of a dog. The spaniel makes her loyal. The pit bull makes her fierce, and the bloodhound makes her hunt. And today she's found something quite extraordinary.

  • Adam + Rose
    Adam’s gone and Rose needs to speak to him. Even if it means lying on the forest floor. Sometimes we just need to find new ways to communicate. A new play about the pain of separation and the love that will get us through.
  • moments when I wasn't good enough
    A ten-minute play about getting to know someone
  • The Returning
    A pearl diver, a bride and a mother's lives intersect as they connect to the rhythms and challenges of the planet. Commissioned as part of The Climate Change Theatre Action's series, 'All good things must begin'